inktober challenge is here!

Hi everyone,

I hope you enjoyed the mini sketchbook tutorial! If you haven’t seen it yet- check it out- its an easy little project to make despite the length of the post!!

October is here- and that means a new challenge that I’ve been waiting to take part in for a few months now- INKTOBER!!

Inktober is a challenge that was created by illustrator Jake Parker in 2009 as a way to practice his inking skills- now its a worldwide phenomenon that artists take part in! The idea is that you make an inked drawing every day for the 31 days of October, then if you want, post it online with the hashtag #inktober. There are some awesome resources on the website, I recommend checking it out!

This year I’m taking part and will be posting every day on my instagram account– and will do a weekly round up of all 7 drawings here on the blog.

Here is my first drawing (was also part of a skillshare class I’m taking part in!)

endangered-species-illustration_inked

endangered species- inked with a kuretake brush pen!

I better hop to it to get todays drawing done!

Are you taking part in this years Inktober challenge? If you are please leave a comment with your website/instagram/tumblr/facebook below so we can all follow along with the work that you do!

emma

TUTORIAL: make a custom mini sketchbook for sketching on-the-go!

If you followed along a couple of weeks ago- I did a week long sketch book challenge (all the sketches from the week are up now).  The sketches were done in my handmade sketchbook (made from recycled computer paper) with an HB pencil. Doing this challenge has made me realize how much more practice I need at using my sketchbook!! I think next I am going to try ballpoint pen sketching- check out the amazing sketchbook work of Pat Perry, for inspiration!!

This week I’m going to be showing you how I make these little pocket-sized sketchbooks so you can make one of your own. The only way to make sketching a habit is to have your paper and pencil with you at all times and then to use it (<–essential step). This little sketchbook fulfills at least one half of the equation- and is dirt cheap to boot. I think cheapness is the essential requirement in a sketchbook- as it means you are not so afraid to mess it up!

I came up with this design after trying a few bought journals as well as making a few of my own (see this post)– but this is the only little sketchbook that I really like using so far.

make-your-own-sketchbook

what-you-will-need

What you will need:

Paper: I used recycled computer paper (21 x 29.7cm- A4 size) from the bin at my work (most if it had hardly any printing on it at all)- which is lightweight (more pages) and fine for sketching (and the cheapness of it means you will be less afraid to mess it up- and therefore be more free with what you doodle). I would recommend trying this out first, but if you use a lot of watermedia for sketching, you can definitely try this same process out with watercolour paper (you will end up making less pages though as the paper is so much thicker).

You’ll need 6 A4 size pages if you follow this tutorial exactly.

Card: for cover. I used a piece of navy card stock I had lying around, probably around 300gsm at a guess? Its not very heavy-weight. You can definitely use thicker card but I quite like the flexibility of the cover on this one.

Thicker (decorative) paper for end papers- go crazy with patterns if you like! I just used some white or black card because I didn’t have anything else at the time.

A sharp needle

Strong thread (I used linen thread (this one), but heavy-duty furnishing thread will also work really well)

Sharp stanley/exacto knife

Cutting mat

Piece of foam (optional- helps in punching holes in paper signatures)

Ruler

Scissors

PVA glue+brush

a few bull clips

1. Assemble your printer paper (or other paper of choice), and mark off one sheet into thirds (make a mark at every 9.9cm) along the longest length. Cut into three sections using your exacto knife and ruler. if you are using paper of a different size to A4 the final dimensions of your pages should be 210mm x 99mm

cut-a4-paper

2. Fold each ‘page’ in half. You will end up with 18 folded pages- which you will then split into three lots of six. Stack each of the pages within one another to make three signatures of 6 folded pages each (12 leaves in each signature).

assemble-signatures

ready-to-bind

3. To mark off the points where you will be making holes for binding the signatures together, stack the three signatures on top of each other so they are well aligned. Its helpful to use a bulldog clip to hold them in position so they don’t move whilst you make your marks.

Then mark off five points along the ‘spine’- at 1, 3, 5, 7 and 9cm (I do this by centring the ruler at 5 as the middle of the stack). Make your marks along the top signature in pencil, and then use a ruler to rule across the spine (over the three signatures) so each now has a pencil mark in the same position.

mark-off-your-spine

From this point on, try and keep the signatures in the same order and orientation through the following steps to make your resulting book look as nice as possible.

4. Now make your holes in each signature at the points previously marked off, using a sharp needle. Open up each signature of 6 pages and use the needle to make an even hole at each of the five marked off points. It can be really helpful to place a soft bit of foam behind the paper stack or something else you can pin into, so your holes get to the full size of the needle and look nice and neat.

make-holes

punching-holes

5. Now its time to stitch your signatures together. Instead of doing a terrible job of explaining how to do that here- check out the wonderful tutorial by Damask Love on creating a book block- these were the same instructions I used to bind this book and its the best instructions I’ve come across for the stitching process:

Bookbinding University: How to Make a Text Block from DamaskLove on Vimeo.

stitching

stitch-2

stitch-3

6. Now your book block is all bound together- its time to glue the spine to make it more sturdy. I applied PVA glue over the bound edge (after having clamped it with a bull clip) and let it dry. I did this twice to make it nice and strong. You have now created your own book block!

glue-the-spine

7. Time to cut your cover and endpapers. Cut an A4 piece of card length-ways into a strip 10cm wide.

cut-covers-and-endpapers

Score a line approximately in the middle of the strip (at ~15cm) and fold the card neatly. Then place your bound book block with the glued spine butted up against the 90 degree angle made by the card. Take a pencil and mark off the width of the book block spine. This gives you the width required for the spine of the cover.

measure-spine

Score along this line and fold. The cover edges will now stick out way past the book block- so trim them down to the exact size by opening one cover side and using a pencil to mark the edge of the book block on that side, then repeat for the other cover. Trim them down to size with your exacto knife.

cut-down-cover

You now have a cover ready to glue!

8. Before you can glue your book together, you need to make your end papers (which are pieces of paper that sit between your cover and the book block, and help to stick the book together).

You want your endpapers to be the same width as the regular pages, so in this case 9.9cm wide. I cut an A4 piece of card in half length-ways, which gives you two long strips that when folded will stick out of your book (between the cover and the book block) when you insert them. Leave them long for now.

This is what you’ll have so far:

parts-of-your-book
endpapers

9. Assembling your sketchbook: First step is to glue the endpapers onto your book block. Apply PVA glue onto one side of your endpaper from the folded edge (spine end) outward, about 2/3rds across the endpaper, towards the outer edge. Align your endpaper so the edges are equal with the edges of the book block, and press the endpaper firmly onto block. Apply the other endpaper in the same manner to the other side of the book block. Clamp this to dry overnight.

Once it is dry you can trim the long ends of the endpapers so they are flush with the pages of the textblock.

glue-endpaper

clamp

10. Now its time to glue your text block+endpapers into the cover. Apply glue over the inside of the cover of the sketchbook- from the spine outwards across ~1/3rd of the front and back covers. Put extra glue on the spine. Place your text block into the cover so all the sides of the block are well aligned with the cover.

endpaperrs-glued-on

glueoncover

Now your book block is fully glued into the cover, clamp the book together with a bull clip or two- or even better, place under a stack of heavy books (less chance of getting marks on your cover from the clips)- and leave to dry overnight.

You’ve made your own sketchbook!!

get-sketching

Let me know what you think of this tutorial!

emma

Sketch a day September 15-21- CHARACTER challenge

If you remember, I mentioned I was going to attempt to do a sketch daily challenge for a week during September. Well, the week is here, and so I am going to be posting a little random character that I came up with, one for every day this week. The idea is to come up with a character from your imagination (not drawing from life here) which is supposed to be a useful creative exercise.

Please join along if you would like to (send me an email with your sketch and I’ll post them on the blog too). Remember, these are sketches, not beautiful final art works!! I purposely use my very cheap recycled paper sketchbook that I made myself as this helps me to be less worried about what I am drawing and if its going to be perfect or not. (Notice that the eraser even took away some of the paper on the first page!). They don’t need to take long, quickly doodle something down while you’re waiting for the train, or watching tv etc.

I will be posting all the weeks sketches on this page, and at the end of the week, I’ll post a tutorial on how I made my little hand-bound sketchbook (which has been a huge help in getting me to sketch more often) so you can try it out yourself at home.

Without further ado, here is

DAY ONE- 

daily_sketch_challenge_1001

 a little rabbit frolicking in the sun

DAY TWO-

daily_sketch_challenge_1002

inspired by the red-footed tortoise in this story

DAY THREE

 daily_sketch_3003

saw my first puriri moth of the new season this morning!

DAY FOUR- oops been a bit slack with uploading the last few days sketches….

daily_sketch_challenge_1005

a little kitten after our own kitten Lily- she has a very subtle striped tail in some lights

and runs like a little squirrel whenever she escapes outside (which I wasn’t really able to get in this sketch…)

DAY FIVE-

daily_sketch_challenge_1004

a little dog I saw waiting outside a cafe on my way to work. every time the door opened he tried to get in to find his owner.

DAY SIX-

daily_sketch_challenge_1006

its freezing here so i drew a woolly mammoth for today….

DAY SEVEN-

daily_sketch_challenge_1007

Last day! I drew a rhino because September 22nd is world rhino day #worldrhinoday

That was fun- good practice for Inktober, which is coming up in a couple of weeks! Stay tuned for my next post which will be a tutorial on binding your own mini sketch book!

emma

‘journey’ illustration- pencil+digital

Here is a little illustration I just finished for last weeks Illustration Friday challenge (finished a week or two late but I just loved the concept…’Journey’). It was a little bit of an experiment- pencil rendered then scanned into PS and coloured digitally. I haven’t done much digital work but hope to improve my skills (even though I do prefer the look of traditional materials), and eventually learn 3D programs like Blender (which should be really useful for scientific stuff!!).

migration_digital-colour_webver

Also- here are some awesome tutorials I found really useful to get ideas from on HOW to combine pencil and digital rendering techniques:

Froggie’ Process from David Opie Illustration

Colouring Pencil Drawings- Arthur Rackham Style from Jennifer E Morris Illustration

 Colouring a Drawing in Photoshop CS5 by Teagan White

and also- the brush I used:

Drew Greens Gouache Brush How-to

 

emma

 

september goal review + free calendar download

I can’t believe its already September- here in New Zealand we are heading towards Spring and with a third of the year left- it felt like a time to do a review of some of the goals I am hoping to achieve this year. Its easy to get stuck in day to day routines and avoid pushing through to get things done-especially if you are working on  your own projects to develop skills and improve technique (rather than being commissioned to do work!!).

 

so true for so many things…. ad campaign for Frucor designed by Automatic (Dan Wright)

Anyway- as one of my major goals this year was to develop my portfolio, and lately I feel like I’ve been going a bit off track SO here are some of the things I am going to set myself to do this month:

  • Week long character challenge– sketch out a random character every day for one week. It doesn’t have to be amazing- just a sketch, but hopefully it will generate some ideas and things for other drawings. I’m aiming for 15th to 21st September– is anyone else keen to join along? See Brad Woodards character series for inspiration!
  • Sketchy sketchy sketch! Fill up my tiny sketchbook that I made (will do a post on this little sketchbook I made+ how I made it at a later date)
  • Do a digital painting of a native whale/dolphin (scientific style). I really wanted to try this out and saw this quick tutorial. It will be a good project to practice my digital painting technique so I can apply it to more scientific illustration projects
  • From ZoologicalApt
  • And the BIG ONE- complete 5 finished illustrations that I could use in my portfolio (don’t all need to be from different projects). I’m not actually sure this is achievable but I will do my best ;0

I have seen some great info online regarding generating your own projects and practice- the most recent one I found useful was Drawing Drills by Meg Hunt. I am finding it useful to set myself projects + assignments with a timeline to get things done. Hopefully I can make it to my portfolio deadline in October!!!

Until then- what are your goals to make it an amazing+productive September? Think about the goals you want to achieve by the end of the year and break them up into little chunks you can get working on now….

 

To help you out- here is a handy little calendar planner I made for you to get started:
september-calendarA3_web
(click on the image above to download the full size image- I recommend printing on A3 so you have lots of space to write in your plans!! Make your goals achievable and tick off the things you achieve as you go)

Have a great weekend!

Emma

 

NZ Magpie Moth illustrations

Here is another scientific illustration project I am currently working on- illustrations of the NZ Magpie Moth for MSc student Cassandra Marks at the University of Auckland (also from the Holwell lab). I am doing a series of identification-style watercolour illustrations of the male and female moths as well as some views of the caterpillar. Here’s some pics of where I’m up to- also I made a gif of the watercolour process!

my desk at the moment
my desk at the moment

 

female_magpiemoth_webver_sig

 

And the final- this is the female Magpie Moth:

female_magpiemoth_webver
Copyright E.Scheltema 2014- please do not copy without permission

I used Winsor and Newton Cotman watercolour paints, mixing the black for the wings from Ultramarine and Burnt Sienna, but found I had to pump up the darkness of it by using some pure black for the darkest areas.

Thanks to Cassie for letting me post these in the middle of the project!

emma

AUGUST illustrated book of the month: A Butterfly is Patient by Dianna Hutts Ashton and Sylvia Long

This week I thought I would post a new blog post that I am hoping will become an ongoing monthly series, where I will post a review of an awesome illustrated book I have recently come across. As you may know, I work in a library whose collection is slightly tailored toward childrens’ picture books and non fiction, so there are a lot of beautifully illustrated books available for the picking! So, here is the first illustrated picture book of the month post- I hope you enjoy and are able to take a look at some of these books in person.

This month, I am came across the wonderful book A Butterfly is Patient, by Dianna Hutts Ashton, and illustrated by Sylvia Long (you can view inside the book by following this link to the publishers page).

A Butterfly Is Patient
Source: Chronicle Books

This book is a junior non-fiction title (aimed at 5-10 year olds) that serves as an introduction to butterflies; describing various facts about butterflies and their lives, under the over-arching theme of metamorphosis (relating back to “patient” in the title). Every spread displays a different facet of a butterflies life, and is started off with ‘A butterfly is …’. One of my favourites spreads is the one that accompanies “A butterfly is not a moth”; it has various butterflies in a daylight composition, along with a variety of wonderfully illustrated moths on the facing page in the night time. The spreads are beautifully illustrated and each turn of the page provides a surprise, as the illustrations and text are quite diverse and the colourful illustrations are lovely.

a-butterfly-is-creative
From A BUTTERFLY IS PATIENT by Dianna Hutts Ashton, illustrated by Sylvia Long ©2011 Used with Permission from Chronicle Books LLC, San Francisco. Visit http://www.ChronicleBooks.com

There are quite a lot of scientific concepts also introduced which I really liked. One of my favourite parts of the book are the endpapers- the front ones have lots of different species of caterpillars, the end ones lots of butterflies, supposedly having metamorphosed through the book’s story.

caterpillar-endpaper
From A BUTTERFLY IS PATIENT by Dianna Hutts Ashton, illustrated by Sylvia Long ©2011 Used with Permission from Chronicle Books LLC, San Francisco. Visit http://www.ChronicleBooks.com
butterfly-endpaper
From A BUTTERFLY IS PATIENT by Dianna Hutts Ashton, illustrated by Sylvia Long ©2011 Used with Permission from Chronicle Books LLC, San Francisco. Visit http://www.ChronicleBooks.com

The illustrations are what initially drew me to this book. According to Sylvia Longs’ website, she illustrates using pen and ink, overlaid with watercolour. Her illustrations in this book are amazing. They are clear, vibrant and sophisticated illustrations that are the perfect style for communicating natural history concepts to kids. I think they are the kind of illustrations that really  inspire wonder and interest in the natural world. I also loved the fact that the text is hand-lettered in a copperplate sort of style.

A-butterfly-is-poisonous
From A BUTTERFLY IS PATIENT by Dianna Hutts Ashton, illustrated by Sylvia Long ©2011 Used with Permission from Chronicle Books LLC, San Francisco. Visit http://www.ChronicleBooks.com

This author-illustrator team have also collaborated on a number of other junior non fiction books in the same vein- including An Egg is Quiet and A Seed is Sleepy, and a brand new title- A Rock is Lively. I would highly highly recommend checking all of these books out- even (or especially) if you aren’t in the kids age group and are interested in natural history and illustration- they are beautifully written and illustrated and I’m hoping they create even more books to add to the series.

Let me know what you think of A Butterfly is Patient if you have read it, in the comments below.

Check out Dianna Hutts Ashtons’ website here

and Sylvia Long’s website here.

See you next time with a process post!

emma

All images taken from A BUTTERFLY IS PATIENT by Dianna Hutts Ashton, illustrated by Sylvia Long ©2011

Used with Permission from Chronicle Books LLC, San Francisco.

Visit www.ChronicleBooks.com

more science-y stuff: harvestmen illustrations

Here is the other scientific illustration project I recently finished- illustrations for post-doctoral researcher Chrissie Painting and Professor Greg Holwell, at the Holwell Lab, University of Auckland, who are researching weapon evolution in harvestmen (Order Opiliones).

Two types of illustrations were completed: one showing a comparison of chelicerae morphology, as well as a series showing some behavioural interactions. All were completed with pen and ink on detail paper, and cleaned up in photoshop.

Behavioural interactions:

feelingCOMP_bitmap_1200dpi001

fightingshortvslong_bitmap_1200dpi006

grapplingCOMP_bitmap_1200dpi005

 

Morphological comparison:

MORPH-composite_2mmscalebar

You can see them on my official portfolio site here. Please check out the interesting research Chrissie and Greg are doing:

Chrissie Painting’s website

Greg Holwell’s website

All images above, copyright 2014 E.Scheltema. Please do not copy without permission.

Hope you all have a lovely weekend!

emma

 

giraffe weevil illustrations

So- as promised– here is some of the entomological illustration I have been working on in the last couple of months (I will post about the other project I have worked on seperately).

This is a pen and ink series of illustrations for the Masters project of Rebecca Le Grice,  a student in Greg Holwell’s lab at the University of Auckland, who is investigating the behaviour of the New Zealand Giraffe Weevil (Lasiorhyncus barbicornis)- which incidentally is New Zealand’s longest beetle. All illustrations were done with pen and ink (dip pen for outlines and Rotring isographs for stippling) on detail paper.

 

girafffe_weevil_greyscale_sig
Male giraffe weevil displaying guarding behaviour

 

Sneaking behaviour
Sneaking behaviour
Male giraffe weevils fighting
Male giraffe weevils fighting

If you’d like to find out more about these amazing creatures- check out these wonderful article:

Weasley Weevils– by Chrissie Painting on the Forest and Bird website

All images above, copyright 2014 E.Scheltema. Please do not copy without permission.

till next time!

emma

drawings that move

I have been reading quite a bit about hand drawn or traditional animation lately, and thought I would do a quick round-up of some of my favourite short movies that I have come across so far, for the blog- even though it is a bit of a departure from my regular posts! I think the process of animation is so interesting- the amount of thought that needs to go into creating pictures that move convincingly is an art form in itself.

Model Sheet from Bambi by Marc Davis via Disney Concepts and stuff

Because most current animation books and resources deal with animating as aided by the computer, I found that older books tend to be the most useful in descibing HOW to create different kinds of traditional animation in detail. The books I have found most useful are:

The Animation Book – a complete guide to animated filmmaking- from flip-books to sound cartoons, by Kit Laybourne (1979)- see here

Disney Animation- The Illusion of Life , by Frank Thomas and Ollie Johnson (1984)- see here

 

 

While the Disney Illusion of Life book has not been reprinted since 1984 (though there are reproduction copies that have been made and are available, as well as secondhand copies), Laybourne’s book has been reissued in 1995 with added information about digital animation, so that would also be an interesting read.

Ok- now on to the shorts….

5. Lotte Reiniger‘s cut out silhouette movies. Reiniger pioneered the technique of animating cut out cardboard figures in the 1920’s before the Disney style animation (hand drawn on cels) was invented.

There is an interesting video on her technique here. and also quite a few of her movies available on youtube. Interestingly, she apparently inspired the depiction of the Tale of the Three Brothers (from Tales of Beedle the Bard) which was animated in Reinigers cut out style for the Harry Potter movie– Deathly Hallows part 1.

4. This awesome slow-motion animation of cut out paper for Hyundai

3. Caroline Leaf’s work in sand and coloured paint on glass combined with the technique of stop motion animation. She also has a website where you can see how she made her films, and it is also covered in detail in Kit Laybourne’s book.

2. Animated hand drawn cels by Hombre McSteez aka Marty Cooper which integrate amazingly with daily life to create an awesome short movie called Aug(De)Mented Reality– watch it!!

p.s check out more clips on his instagram

1. And last but certainly not least- Glen Keanes beautiful and awe-inspiring short film Duet, which was premiered at the recent Google I/O Conference. Mr Keane has been an animator at Disney for quite a while and has worked on such movies as The Little Mermaid, Beauty and the Beast and Tarzan. He created Duet for Motorola to show how traditional techniques could be combined with modern technology to create interactive hand drawn animation. It is a beautiful story – if you don’t watch anything else, make the time to watch this.

Above is the uncoloured animation, but if you can also see the finished coloured version here, and a making of clip here.

I think one of the most fascinating things about animation is that there are such a wide range of styles and techniques, that can be used to tell a story. Have you got any other traditionally animated movies that you could recommend?

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Lastly- again, slightly off topic, but you may know I am a fan of hand-lettering (see here, here and here) and have been eagerly awaiting the movie Sign Painters by Faythe Levine and Sam Macon for agggesss (see trailer). Apparently not in New Zealand yet, BUT I discovered that for this week only, www.cinepacks.com is offering Sign Painters plus 3 other art movies in a bundle, for however much you want to pay for them. I have personally already bought and downloaded my copy. If you are interested, the deal is closing on 21st July (2 days left!) and you can buy it herePlease not I am not affiliated with this company in or receiving any compensation for promoting this deal- I simply thought it was really awesome and wanted to share the word with you lovely readers!

And with that said- I hope you enjoy the movies above and the weekend which is almost here! I know I’ll be fitting in some time to watch a documentary or two!

emma