Kahukura (red admiral) illustrations #tereo

Just quickly popping in to say hi and share these beautiful illustrations by Cliff Whiting from the maori childrens book Pūrerehua (Kahukura) by Hirini Melbourne, which is about the life cycle of the NZ Red Admiral. I thought it was quite fitting to share these today as we come to the end of Te wiki o te Reo Maori (Maori Language Week) here in NZ!! Kahukura-Hirini-Melbourne+Cliff-Whiting-05

Kahukura-Hirini-Melbourne+Cliff-Whiting-02
‘Lands, lands, on a stinging nettle’ | ‘It lays eggs; one, two, three, four’
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‘Wriggles and squirms and out pops four caterpillars’ | ‘Eat. eat, eat the leaves are gone, they are hanging dangling by one end’ 
Kahukura-Hirini-Melbourne+Cliff-Whiting-01
‘Butterfly flying on the wind. Fluttering wings, flying in the wind’ | ‘Go higher, reach the highest point, fluttering wings, flying on’ 

Images from: Melbourne, H., Whiting, Cliff, & New Zealand. School Publications Branch. (1979). Pūrerehua (Kahukura)(Purapura. Pīngao. A). Wellington, N.Z.]: Te Rōpu Whakamahipukapukakura.

Have a lovely weekend everyone!

emma

Learning by copying

I have been using pen and ink a lot more lately (and am growing to really like it), but there are still things I find difficult, especially when it comes to executing certain very precise ink ‘styles’ required for scientific illustration (loose pen and ink work is a whole ‘nother board game!!). I think that’s where copying comes in handy. Taking an image in the style you are wanting to learn, enlarging it (so the lines are approximate to the original inked size) and then taping acetate film over the photocopy and copying the original drawing is a great learning exercise. I have found that trying to get all the nuances of the line and details the same as the original illustrator did in their illustration is a huge help in learning the muscle-memory required to execute the technique (or something similar) on your own work.

Here is an illustration of a Marginella pygmaea shell from Henry Suters ‘Manual of the New Zealand Mollusca‘. The original illustration is much reduced in the published work, so that the stippling is hardly visible (and the dots tend to merge).

suter-atlas-stipple009

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Seals of New Zealand- free colouring sheet

I posted earlier this week on instagram that I would be releasing this ‘Seals of New Zealand’ colouring-in sheet as a free download on the blog- and finally its ready!

Equipment used: inked with a Hunt dip pen and detailed with Rapidograph isograph pens + Pigma micron. 

I thought it might be quite a fun and useful educational resource , as I don’t think the species of seals we have in New Zealand is very well known to the majority of people (myself included before doing this little project). SEALSofNZ-COLSHEET-final

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chromacon 2015 in review

As I mentioned in my last post, a few weeks ago I was lucky enough to attend Chromacon indie arts festival, and the associated Chromaconnect creative industry summit (as a result of winning tickets through Design Assembly blog), that was held at Aotea Centre, Auckland. I had been looking forward to the event for weeks, and it turned out being even better than I had imagined.

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The talks from illustration and animation industry pros (such as J.A.W Cooper and Paul Tobin from WETA Workshop) were so inspiring and I took loads of notes and came away feeling more motivated about the industry. I thought I would use this post to distill down the major ideas and take-aways I got from the day. Throughout the day I was able to attend talks by the amazing J.A.W Cooper, Wenna, Laura Dubuk (Weta Workshop), Paul Tobin (also Weta) and Jacky Ke Jiang– which all approached different topics and were fascinating to listen to.

After the event, I jotted down some major themes or takeaways I got from the day, and thought they might be useful to other people who are aspiring illustrators!

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illustration friday: WARRIOR

this weeks challenge prompt for Illustration Friday was WARRIOR.

Here is what I came up with:

warrior-coloured-ver
inked and then digitally coloured

and a close up:

warrior-coloured-CU

It is loosely based on a few stories I read in a book about the cultural history of NZ birds- the New Zealand eagle (which was the largest known bird of prey, with a wingspan of up to 2.4m) was written throughout Maori myth and legend as a dangerous bird that preyed upon humans, and was also seen as a bad omen. In this drawing I tried to imagine children re-enacting the myths of warriors who fought against these giant birds of prey.

Here is the colour palette I used:

warrior-colour-palette
you can get the PSD file for this gamut mapper from deviantart!

hope you are all having a great weekend! Check back mid-week for another installment of NZ natural history artist- this weeks artist is Piers Hayman, an ornithological artist who did some really amazing work. Till next time! emma

the process of a scientific illustration

Here are some in progress and final illustrations from a recent project I worked on for Leilani Walker, who is studying Cambridgea foliata (NZ’s largest species of sheetweb spider) for her PhD at the University of Auckland.

Starting with sketches, here is my initial concept sketch for one of the illustrations:

first sketch concept of two spiders fighting
first sketch concept of two spiders fighting

then the revised sketch after some valuable feedback, changing the leg joint angles and body positioning relative to the web:

cambridgea-grappling-sketchv2

Once approved, here is the basic inked version (inked by hand):

cambridgea_grappling_basic-1

I then added in the back legs, which were inked on a seperate piece of mylar, and adjusted to a lower opacity in photoshop. The stippling was added last, also digitally:

Cambridgea_Grappling_final

A similar process was applied for the other behavioural interaction illustration, showing initial ‘no contact’ between the two spiders. Here is the final:

Cambridgea_NoContact_final

In real life, these images show the spiders upside-down- that is, they hang from the web as they carry out these interactions!

It was a pretty fun project to work on, and it was interesting to be able to combine digital and traditional inking to get the final product.

If you want to find out more about Leilani’s research, please check out her blog.

Till next time!

emma

All images copyright E. Scheltema 2015. Please respect my client (these illustrations are part of their research) and do not copy or use any of these images without permission. If you are interested in commissioning work or collaborating on a project like this please contact me 

the 100 days project – sketch-booking!

On April 6th an interesting challenge starts- #The100DaysProject, run by ElleLuna and The Great Discontent.

Quoted from the website:

It’s a celebration of process that encourages everyone to participate in 100 days of making.

– The Great Discontent

You choose one creative thing to do everyday for 100 days- from April 6th to July 14th, and post your results on social media.

I have never done a challenge that lasted so long, the longest was probably last years Inktober– and to be honest I did not create something every day.

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illustration friday: OUTSIDE

here is my first illustration friday (that’s met the deadline) since sometime last year!

OUTSIDE

The theme is OUTSIDE.

graphite and digital colour

I had fun playing with the colour palette on this one. I am trying to map out colour gamut’s (as outlined in James Gurney’s wonderful book ‘Color and Light‘), using a YRMBY colour wheel and then setting up a limited colour palette before I start work on a digitally coloured piece. It certainly will take some more practice but is turning out to be pretty fun to learn about- even if I’m not quite there yet!

I recommend the following tutorials if you are interested in finding out more (short of reading the book!):

This video is the best explanation from James Gurney himself.

* Instructable on digital colour gamut mapping

* Zoe Piel’s informative video on selecting a limited colour palette in PS

and of course information from Gurney Journey:

Gamut Masking Method Part 1, Part 2 and Part 3.

I can’t wait to keep developing this colour idea.

Happy Easter everyone!

emma

NZ Natural History Artist #1: Bruce Harvey

Natural-history-series-button

On my recent trip up north to Russell, we made a stop along the way at Waipu, where they were having an antiques show. They had all sorts of fascinating things- old books, fountain pens, sewing machines, vintage postcards… but what caught my eye were these vintage Air New Zealand menus, because of the beautiful bird illustrations on the covers. I bought a couple for a few dollars each, and have framed them (in some repurposed frames from the op shop). It turns out the illustrations were done by NZ artist Bruce Harvey (one of the best known NZ artists of birds), between the years 1976-79.

kaka-air-nz

 

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weka watercolour

here is a watercolour painting I just finished yesterday- it is of a North Island Weka (Gallirallus australis greyi), like the ones that I managed to sketch and photograph on a recent trip to Russell.

weka-final

and some progress pics from my instagram:

#progress #bird

A post shared by Emma (@emmascheltema) on

Slowly making progress #art #bird #illustration #scientific illustration #weka #vscocam

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I have heard that the North Island Weka is more endangered than the Kiwi- so a pretty special thing to see in real life!

I used a limited palette (the majority of the bird is just painted with ultramarine blue+ burnt sienna- my favourite combo!) and tried out some new-to-me watercolour paper- plain hotpress Fabriano paper (the paper itself didn’t have a name) which was pretty good but hard to remove mistakes without ruining the paper, which I guess is to be expected from a cheaper paper!

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I also just wanted to mention an interesting interview I listened to on the weekend by Nick Patton (from the Picturebooking podcast), who interviewed Katherine Roy– an illustrator of kids natural history picture books. Its a really interesting listen for anyone who is interested in the intersection of science, art and childrens books. Check it out here.

Till next time!

emma