Its been a very long time since I last updated this blog (I’ve been more active on instagram over the last year) but I’ve been wanting to revive the blog for a while- now that postgrad study is complete, I thought I’d give it another go!
So… the last year has been a pretty busy one (hence no posting). Here’s an update on some of the projects I had the opportunity to work on:
Last year was spent studying hard to get postgrad qualifications in illustration, specifically medical illustration. What an amazing year- it was a huge learning curve, but at the same time, it went super fast. I was lucky enough to work in the Design for Health and Wellbeing Lab (a design for health studio based in Auckland City Hospital) to carry out my illustration honours project. Here is a post about my research project (and in more detail here).
I might do a more in depth post about my research and some of the interesting things that came out of it at some point.
Alongside studying, I was lucky enough to work on a really fun illustration project with entomologist Leilani Walker, illustrating 52 native New Zealand insects (and designing packaging) for the Insects of New Zealand Playing Cards. You can read more about the process for making these illustrations here. It was such an awesome project to be involved in, (probably the biggest and longest lasting illustration collaborations I have worked on) and the support for the cards now they have been released into the wild has been great- in fact, we have just released the second edition last month!
Since I completed my studies I have been transitioning into freelance illustration work. While I had been doing freelance projects for the last couple of years, treating it as a serious full-time business and actually calling myself an ‘illustrator’ has been a big step. Lots more learning and developing processes of working (and administration!), plus a newly designed website, which you can see here, and a sparkly new Etsy store too!
Both still a work in progress. I’ll start posting more about some of the projects I HAVE worked on soon. Next time, back into regular posting with something (hopefully) a bit more interesting 🙂
If there’s anyone out there reading this, thanks if you are still following this blog- I appreciate it!
Equipment used: inked with a Hunt dip pen and detailed with Rapidograph isograph pens + Pigma micron.
I thought it might be quite a fun and useful educational resource , as I don’t think the species of seals we have in New Zealand is very well known to the majority of people (myself included before doing this little project).
This months Natural History Artist is Piers Hayman. I first heard about him through New Zealand Bird Rescue, a charitable trust of which he was a founding member (then the NZ Wildlife Rehabilitation Trust). Originally from England, and trained as a graphic designer, he emigrated to New Zealand in the early 80’s.
He has done numerous beautiful illustrations of New Zealand Birds, and has written and illustrated numerous books on NZ wildlife- two of the most well-known books being ‘Discovering the Birds of New Zealand‘ and ‘The Bird Next Door’. He was a regular contributor to the New Zealand Herald where he wrote and illustrated a weekly column about birds, a clipping from one of his columns from 1985 is below:
On my recent trip up north to Russell, we made a stop along the way at Waipu, where they were having an antiques show. They had all sorts of fascinating things- old books, fountain pens, sewing machines, vintage postcards… but what caught my eye were these vintage Air New Zealand menus, because of the beautiful bird illustrations on the covers. I bought a couple for a few dollars each, and have framed them (in some repurposed frames from the op shop). It turns out the illustrations were done by NZ artist Bruce Harvey (one of the best known NZ artists of birds), between the years 1976-79.
I have heard that the North Island Weka is more endangered than the Kiwi- so a pretty special thing to see in real life!
I used a limited palette (the majority of the bird is just painted with ultramarine blue+ burnt sienna- my favourite combo!) and tried out some new-to-me watercolour paper- plain hotpress Fabriano paper (the paper itself didn’t have a name) which was pretty good but hard to remove mistakes without ruining the paper, which I guess is to be expected from a cheaper paper!
I also just wanted to mention an interesting interview I listened to on the weekend by Nick Patton (from the Picturebooking podcast), who interviewed Katherine Roy– an illustrator of kids natural history picture books. Its a really interesting listen for anyone who is interested in the intersection of science, art and childrens books. Check it out here.
Its been a little while since I’ve done a second-hand book finds post (the last one was in March)- and I’ve found quite a few lovely illustrated books over the last couple of months so I thought it was time for another round-up post.
I found all of these books at my local $1 book sale, which is run to raise money for the Lion Foundation. It is a treasure trove for people who love books- especially old ones 😉 Most of the books mentioned below are full of wildlife illustration, but I also find lots of art instructional books (too many to post about now!).
or perhaps I should have called it ‘the mock-up poster’ because this was sort of a quickly put together version of my puriri moth lifecycle for a portfolio submission. I’d like to add to it by doing a fully painted background at some point and adding in text of course.
the tree+backgrounds to the various larval stages are watercolour+coloured pencil, the insects themselves are coloured pencil only.
Its Puriri Moth season again in NZ- I’ve only seen one this year though- much less than last year!
last week I finished up a series of paintings of the Spur-winged Plover (Vanellus miles) – which is a relatively common bird species where I live in Auckland. Last year I did a small painting of a Spur winged Plover chick, and thought I would add to it by painting an adult and an egg.
All were painted in acrylic using a sort of watercolour wash method:
the adult- with distinctive yellow wattles
and the egg!
Interestingly this species is one of only 2 NZ native bird species that have no legal protection – it was removed in 2010 after so many public complaints about the species as a nuisance bird (mainly due to crop damage and “interactions” with aircraft).
I am planning on compiling these illustrations- together with some small habitat drawings I also have just finished- into a small poster showing the life stages and common habitats of this species (such as roadsides, airports and sports-fields), and the ways in which this species is threatened by people because of the proximity it lives to us.
BLOG update: If you’re a regular reader you may have noticed a couple of small changes to my site. I have updated the Useful Resources page- it now has more of a visual overview of the books I recommend. If you have a goodreads account, you can add them to your own reading list by clicking on the books image. I have also removed my portfolio page and the link above now directs you straight to my official portfolio site. Also new is the Categories drop-down list in the right side bar (under the about info), so if you are looking for posts on a certain subject hopefully that makes things easier to find! I am hoping to do a full blog re-design at the end of the year so stay tuned for some bigger changes in a few months time.
The project involved illustrating diagrams of the male and female moths, showing the sexual dimorphism (especially obvious in the antennae) as well as dorsal and lateral illustrations of the caterpillar. These illustrations were fun to do because they were the first entomological illustrations I have done in watercolour- and it was fun to add some colour to these pretty little moths!
Here are the final illustrations:
(smaller hairs on the antenna)
(much longer hairs on the antenna)
magpie moth caterpillar
magpie moth caterpillar
Another thing I really enjoyed in this project was reconstructing life-like positioning of the caterpillar (especially in the lateral view). The specimens I had to draw from were dead and so didn’t really look so much like a living caterpillar would anymore- so that was a fun challenge to try and depict what a living caterpillar might look like.
here is also the palette of colours I used. I used Winsor and Newton cotman watercolours and the most used colours were Ultramarine Blue and Burnt sienna to mix up varying shades of brown-black and blue-black. They were the perfect colours for this species!!
All images copyright E. Scheltema 2014. Please respect my client (these illustrations are part of their research) and do not copy or use any of these images without permission. If you are interested in commissioning work or collaborating on a project like this please contact me
Just quickly popping by to post this Dusky Dolphin (Lagenorhynchus obscurus) illustration I did in Photoshop. I roughly followed this tutorial (main difference being I used different photoshop brushes and I drew the sketch with pencil+scanned it in, rather than drawing it in photoshop). This was one of my things to try out in my september goals (and one of the few I actually did end up completing!!).
Not 100% sure I like it but I think I need to play around with the technique a bit to see if I can get it looking right.